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Literary Nonfiction: The Fourth Genre 1/e

Stephen Minot

Published October 2002 by Prentice Hall
Copyright 2003, 152 pp., Paper
ISBN: 0-13-099180-5
List Price:
$35.00

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Preface


Summary

This book is an introduction to creative, or literary, nonfiction and to the art of writing fresh and original work. Presenting clear guidelines and fresh approaches to creativity, this well-written book explores the six basic approaches to non-fiction writing, differentiates between what is creative and what is utilitarian, and describes honest as opposed to deceitful work. KEY TOPICS: Using short example essays to illustrate the key approaches of personal experience, biographical sketch, opinion, reflection, place, and historical incident, this book stresses the importance of learning to write by reading. MARKET: Useful for individuals who wish to examine nonfiction essays critically, with the intention of writing themselves. Also, those who keep literary journals will benefit from this book.

Features

  • Six basic approaches to creative nonfiction—Clarifies and explores the genre by dividing it into personal experience, biographical sketch, opinion, reflection, place, and historical incident.
    • Provides students with a clear picture of this often confusing genre.

  • A separate chapter for each approach—Illustrates each with one or more short essays.
    • Gives students ample support to understand each approach and use its technique.

  • The ethics of creative nonfiction—Explores honest nonfiction writing as opposed to what is deceitful.
    • Enables students to contrast and compare honest and dishonest writing.

  • Close analysis of sample essays—Stresses the importance of learning through reading.
    • Teaches students to develop their own individual style and approach.

  • Essays from racially and culturally diverse writers.
    • Provides students with information about traditions and values of different races and cultures.



Author Bio

STEPHEN MINOT, Professor Emeritus of Creative Writing at the University of California, Riverside, has been teaching creative writing for thirty years. A writer himself, Minot has authored three novels, two collections of short stories, and three textbooks. His numerous short stories have appeared in such publications as The Atlantic, Harper's, The Kenyan Review, The Paris Review, and The Sewanee Review, among others. His work has been chosen to appear in The O. Henry Prize Stories collection, The Best American Short Stories, The Story, and New American Stories. Over the course of his career, Professor Minot has been the recipient of the Atlantic First Award as well as the Saxton Memorial Fellowship and the National Endowment for the Arts Fellowship for writing.



Table of Contents

I. ASPECTS OF THE GENRE.

1. Literary Nonfiction: What Makes It Distinctive?

2. Six Basic Forms of Literary Nonfiction: An Overview.

3. Plunging In: Getting Started.

4. Theme: What's Your Point?

5. Creating Structure.

6. Literary Concerns: Style, Tone, Suggestion.

7. Ethical Questions: How Much Is Real?

8. Active Reading: How to Learn from Others.

II. ANALYSIS: CASE STUDIES.

9. Personal Experience: Focus on Characterization.

Snakebit, Connie Wienecke.

10. Personal Experience Continued: Focus on Theme.

Jack-in-the-Pulpit, Christopher Clausen. For discussion: Catholics, Gary Soto.

11. Biographical Sketches: Light and Serious.

The Hip Plumber, James D. Houston. My Father's Body, Christopher Buckley.

12. Biographical Sketch for Discussion.

The Day After That, Tzivia Gover.

13. Opinions: Direct and Indirect.

The Coldness of E-Mail, Destiny Ward. For discussion: Strong Stories, Joseph Bruchac.

14. Reflections: Discursive Writing with a Purpose.

Stone's Throw, Jackson Jodie Daviss. For discussion: Total Laryngitis, Trinie Dalton.

15. A Sense of Place.

On Leaving Florida, Marjorie Sandor. For discussion: The Rise and Fall of Rodney, James Bertram.

16. A Glimpse of History.

Captain Hind the Highwayman, C.V. Wedgwood. For discussion: The Key, Stephen Minot.

Appendix A: Submitting Material.

Appendix B: Further Reading.

Appendix C: Notes on Contributors.

Glossary/Index.




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